Most Important Post-Covid-19 User Product
Hand Sanitizer & Mask
Thursday, June 4, 2020
Sunday, April 26, 2020
Tuesday, April 21, 2020
Bundit Ptana Slipa:
Finger Prints In Clay:
Object No:1
Artist: Sakiyama Takayuki
Material: Stoneware with sand glaze ( Shigaraki clay)
Art Work: Listening to the waves
A unique principle of shape is followed up by a pattern,the shape is balanced in its own sense.A large twisting vessel with diagonally engrave flow and folds.There is a Movement in his vessel.Look like his vessel form is drawn from the rhythmic motion of waves.He combs the clay and his sandy texture shows the continuity.Seen from a distance, the even surface and the folds parts in the form more closely resemble a knitted fabric than any ceramics work.In most of his work he reflect the rhythm, relentlessness of the sea and its motion.
Object No:2
Artist: Corrie Bain
Material: Porcelain
Art work: Spiral Lamellae (Seed Pod Collection)
This vessel is look like a seed covered by thin layers.The vessel begin as a simple form and each element is added one by one in very thin seperate layer.Its texture is very crispry like chips.Following the design Principle the vessel is symetrical and slightly non-symetrical at the same time and the repetition is taking place in this design making it look more like a defined and stylized shape of a flower and the top hole is the focal point.Surface look like unglazed to show the natural tone of procelain and also its realisticness.
Object No:3
Artist: Yuri Fukuoka
Art Work: Wave Of Flowers
This look abstract.The shape is appealing because f the texture given to it with a pint of colour combination of white.A tale of flower is balanced in its own sense.Repetition is taking place all over in this tale and look like a stylized flowers.Tale is following a some pattern and there is continuity and motion in this.Thins layer are overlapping in conical shape to making this flowers.
Finger Prints In Clay:
Object No:1
Artist: Sakiyama Takayuki
Material: Stoneware with sand glaze ( Shigaraki clay)
Art Work: Listening to the waves
A unique principle of shape is followed up by a pattern,the shape is balanced in its own sense.A large twisting vessel with diagonally engrave flow and folds.There is a Movement in his vessel.Look like his vessel form is drawn from the rhythmic motion of waves.He combs the clay and his sandy texture shows the continuity.Seen from a distance, the even surface and the folds parts in the form more closely resemble a knitted fabric than any ceramics work.In most of his work he reflect the rhythm, relentlessness of the sea and its motion.
Artist: Corrie Bain
Material: Porcelain
Art work: Spiral Lamellae (Seed Pod Collection)
This vessel is look like a seed covered by thin layers.The vessel begin as a simple form and each element is added one by one in very thin seperate layer.Its texture is very crispry like chips.Following the design Principle the vessel is symetrical and slightly non-symetrical at the same time and the repetition is taking place in this design making it look more like a defined and stylized shape of a flower and the top hole is the focal point.Surface look like unglazed to show the natural tone of procelain and also its realisticness.
Artist: Yuri Fukuoka
Art Work: Wave Of Flowers
This look abstract.The shape is appealing because f the texture given to it with a pint of colour combination of white.A tale of flower is balanced in its own sense.Repetition is taking place all over in this tale and look like a stylized flowers.Tale is following a some pattern and there is continuity and motion in this.Thins layer are overlapping in conical shape to making this flowers.
Ron Mueck
Statement:
Biography:Born in 1958 to German family in Melbourne, Australia, Ron Mueck grew up in the circle of family business of puppetry and doll-making.His career actually started as a puppeteer, which led him to work on several children’s shows. He was a voice actor in the trippy kid’s movie Labyrinth and made models for Jim Henson,before moving to America to work there in film and advertising.Mueck started his own animatronics company where he made pops for advertising companies. He became interested in making sculptures that don’t just look good on camera, but are hyperrealistic in person, too.
Art World:
Mueck shifted his focus to the fine arts in the mid-1990s.By 1996, he was completely committed to fine art practices, fully abandoning all the commercial jobs he held in the past.In 1996, he was asked by Paula Rego to make a small figure of Pinocchio for her group exhibition Spellbound: Art and Film, at the Hayward Gallery, London.Mueck first came to public attention along with his sculpture "Dead Dad". This portrayal of his lately deceased father,at kind of half-scale and crafted from imagination, became included inside the 1997 exhibition Sensation at the Royal Academy of Arts, London. In 1999, he was appointed as Associate Artist at the National Gallery, London.
Work:
Ron Mueck eventually established himself as a unique author of fine art, Hyper Realistic Sculptors.This artist uses resin, fiberglass, silicone and other various materials to construct pieces emphasized by the keen likenesses of human beings. Ron Mueck plays with the scale of his sculptors, often making things a lot bigger or a lot smaller than what they logically should be..The naturalism of his work may be achieved with the astonishing level of detail in his pieces, but the entire Hyper Realistic Approach is undercut by Ron’s calculated play with the scale.Some figures will fill the entirety of a gallery whereas others stand no more than three feet high.
Subject Matter:
Many artists attempt to glamorize the real world via their representations and imitations of it, Ron Mueck does not need to depict our existence as something higher than it in realityis. He want us to see all the realities, the geniune struggles and actual troubles in his work, he does not want to make fake interpretations that cover the truth, sweeping it underneath the rug of dishonesty. Mueck frequently aims to offer his characters in key moments in their imagined lives, masking the mysterious moments which includes birth and death. Ron attracts upon his personal memories, desires and ordinary experiences as a way to portray his subjects with excellent compassion, injecting a little bit of his very own character into every piece he completes.
Statement:
He explains such a manner with the following statement: I never made life-size figures because it never seemed to be interesting. We meet life-size people every day. Altering the scale makes you take notice in a way that you wouldn’t do with something that’s just normal.
Sculptors:
Title: Mask III
Medium: Mix Media
Dimension: 1550 x 1320 x 1130 mm, 57 kg
Title: Wild Man
Medium: Mix Media
Dimension: 2850 x 1619 x 1080 mm
Title: Ghost
Medium: Aluminium, Fibreglass, Silicone rubber, Polyurethane foam, Polyester resin, Acrylic fibre and Fabric
Dimension: 2019 x 648 x 991 mm (Unconfirmed)
Title: Spooning Couple
Medium: Mix Media
Dimension: Plinth: 690 x 827 x 624 mm, 20 kg
Displayed: 1165 x 1040 x 790 mm
Solo Exhibitions:
Group Exhibitions:
2019:Hyperrealism Sculpture. Ceci n'est pas un corps ,La Boverie ,Liege, Belgiu A Cool Breeze ,Galerie Rudolfinum ,Prague, Czech Republic
2011:The Sculpture Show ,Scottish National Gallery of Modern Art (Modern One & Modern Two) Edinburgh, UKCabinet (NGC Toronto) ,Museum of Contemporary Canadian Art ,Toronto, Ontario, Canada
2009:Real Life: Ron Mueck and Guy Ben-Ner ,The Glenbow Museum ,Calgary, Alberta,Canada Peopled: Contemporary Art From The Collection ,QAGOMA, Queensland Art Gallery & Gallery of Modern Art ,Brisbane, Australia
2008:Statue Philia ,The British Museum ,Bloomsbury, London, UK Attention to Detail ,The FLAG Art Foundation ,Chelsea, New York, USA.
Tip Toland
Biography: Tip Toland is a ceramic artist & Teacher whose work is subtly autobiographical within a frozen moment, teeming with humanity, exists a vessel for her thoughts and feelings.She was born in May 9, 1950 at Pottstown and her family consist of two sisters ,younger brother and parents.In 1975. She received her Bachelors in Fine Arts Ceramic in university of Colorado and later on expanded her education in Montana State university to receive her Masters in Fine Arts Ceramics.Her previous accolades include a Visual Arts Fellowship from the National Endowment for the Arts, Artist-in-Residences in Wyoming, Oregon, Montana, and Washington, an Artist Trust GAP Award, and the Virginia A. Groot Foundation Grant, among others.Her work,which are figurative and often define as Hyper-Real.
Work:She is inspired by the human aging from the beginning or end of their life. Toland believed that within those years,a human experiences vulnerability,isolation and innocence. Most of her portrait work is combined with a sad and mysterious facial expression that projects a significant aging process.
While exploring age and aging, Tonald's work attempts to give voice to inner psychological and spiritual state of being.What is of number one importance to her is that the figures include unique aspects of humanity,which they mirror back to the viewer.Its the fragility and temporary issue of mankind that the artist is after.That is one motive for deciding on very antique or very young subject; they each portray innocence as well as complexity.While her subjects are sometimes Self-Portraits, they are meant to convey universal thruths about humanity,society and self.
Style: Tonald goes beyond the Realistic form of a Human. Her techniques and attention to detail has become one of her significant. The way she finishes her work with waxy finish or even sometimes using real human hair to emphasis the realness of the piece. Toland carefully defines the wrinkles,the deep emotions in each face features.The ceramic ware eyes produce a doll-like realism that's each haunting and captivating, whereas clear outlined wrinkles, skin tone and bone structure are great realistic. Her work gives off humor,depth and meaning.The hyper realism of Toland's figures comes in the result of her focus to details and distinctive use of materials.
Statement:
As part of her Fellowship’s Meet the Artist requirements, Tip presented a talk on her work to a crowd of over 100 at the Bellevue Arts Museum in conjunction with her solo show, Melt, the Figure in Clay. Tip’s Fellowship gave her the confidence to give this advice to an aspiring sculptor: “If I can do it, you can do it… At times one wonders in the many months of making work in one’s basement alone, if this is nuts or not. My belief is that it is nuts and at the same time a calling. We all need a lot of encouragement and I am very grateful to Artist Trust for the encouragement this grant provided me.”
Sculpture:
Biography: Tip Toland is a ceramic artist & Teacher whose work is subtly autobiographical within a frozen moment, teeming with humanity, exists a vessel for her thoughts and feelings.She was born in May 9, 1950 at Pottstown and her family consist of two sisters ,younger brother and parents.In 1975. She received her Bachelors in Fine Arts Ceramic in university of Colorado and later on expanded her education in Montana State university to receive her Masters in Fine Arts Ceramics.Her previous accolades include a Visual Arts Fellowship from the National Endowment for the Arts, Artist-in-Residences in Wyoming, Oregon, Montana, and Washington, an Artist Trust GAP Award, and the Virginia A. Groot Foundation Grant, among others.Her work,which are figurative and often define as Hyper-Real.
Work:She is inspired by the human aging from the beginning or end of their life. Toland believed that within those years,a human experiences vulnerability,isolation and innocence. Most of her portrait work is combined with a sad and mysterious facial expression that projects a significant aging process.
While exploring age and aging, Tonald's work attempts to give voice to inner psychological and spiritual state of being.What is of number one importance to her is that the figures include unique aspects of humanity,which they mirror back to the viewer.Its the fragility and temporary issue of mankind that the artist is after.That is one motive for deciding on very antique or very young subject; they each portray innocence as well as complexity.While her subjects are sometimes Self-Portraits, they are meant to convey universal thruths about humanity,society and self.
Style: Tonald goes beyond the Realistic form of a Human. Her techniques and attention to detail has become one of her significant. The way she finishes her work with waxy finish or even sometimes using real human hair to emphasis the realness of the piece. Toland carefully defines the wrinkles,the deep emotions in each face features.The ceramic ware eyes produce a doll-like realism that's each haunting and captivating, whereas clear outlined wrinkles, skin tone and bone structure are great realistic. Her work gives off humor,depth and meaning.The hyper realism of Toland's figures comes in the result of her focus to details and distinctive use of materials.
Statement:
As part of her Fellowship’s Meet the Artist requirements, Tip presented a talk on her work to a crowd of over 100 at the Bellevue Arts Museum in conjunction with her solo show, Melt, the Figure in Clay. Tip’s Fellowship gave her the confidence to give this advice to an aspiring sculptor: “If I can do it, you can do it… At times one wonders in the many months of making work in one’s basement alone, if this is nuts or not. My belief is that it is nuts and at the same time a calling. We all need a lot of encouragement and I am very grateful to Artist Trust for the encouragement this grant provided me.”
Sculpture:
Title: The Whistlers
Medium: Stoneware, Paint, Paint and Synthetic Hairs
Scale: 22 × 19 × 17 1/2 (Left) 21 3/4 × 20 × 19 1/2 (Right)
Title: Letter To God
Medium: Stoneware, Chalk Pastel, Paint, Synthetic Hairs
Scale: 22"h , 38"w ,19"d
Title: Africa
Medium: Clay, Paint, Pastel, Synthetic Hair
Scale: 22"h , 38"w ,19"d
Solo Exhibitions:
2012 Barry Friedman Ltd, New York, NY
2008 Melt, Bellevue Arts Museum, Bellevue, WA
2007 Pacini Lubel Gallery, Seattle, WA
2005 Nancy Margolis Gallery, New York, NY
2002 Nancy Margolis Gallery, New York, NY
1998 Recent Work, William Traver Gallery, Seattle, WA
1992 William Traver Gallery, Seattle, WA
1990 William Traver Gallery, Seattle, WA
1988 Helen Drutt Gallery, Philadelphia, PA
Traver Sutton Gallery, Seattle, WA
1983 Contemporary Crafts Association, Portland.
Group Exhibitions:
2006 Living it Large, Kentucky Museum of Art and Craft, Louisville, KY
The Edges of Grace. Fuller Craft Museum, Brockton, MA
2004 A Ceramic Continuum: Fifty Years of the Archie Bray Influence the Northwest
Museum of Arts and Culture, Spokane
2004 Edgy Characters, NCECA, University of Indianapolis, Wheeler Arts Center
2003 Women on the Edge, Duane Reed Gallery, St. Louis, MO
2000-02 Ceramic National 2000, Everson Museum of Art, Syracuse, NY
2000 Northwest International Art Competition, Whatcom Museum, Bellingham, WA
1995 Resident artist exhibition, Archie Bray Foundation, Helena, MT
Monday, April 20, 2020
World After Covid 19
Everything feels new, unbelievable, overwhelming. At the same time, it feels as if we have walked into an old recurring dream. In a way, we have. We’ve seen it before, on TV and in blockbusters. We knew roughly what it would be like, and somehow this makes the encounter not less strange, but more so.
This is much certain that this disease demolish our lives and disrupt our, markets and expose the ability of government,it will lead to permanent change in our economic and politics ways that will become apparent only later. When this disease over, we will be in a new world. Here are some ways this new world will break with the past.
Retailers with physical stores were already struggling to compete with online shopping. Present situation forced everyone to shop, work and also play online. so the online system will expand more. Access and ability to work online will become even more important and those who are unable to connect online, will fall further behind economically.
Supply chain will be local rather then globalize.Before this disease trade was globalize but after this Companies will be refuse to trust all the supply from foreign countries or companies will look to change their suppliers and to favor local suppliers, even at higher costs.
Healthcare system for all becomes a more standard view during the crisis there is a combined view that free testing for everyone is necessary to protect everyone.As poor and rich got affected ,it become clear that we all need a good healthcare system.
Numbers Of Unemployment increase because of this disease and not providing the unemployment benefits for those who are caught in the wrong place at the wrong time, could disturb the whole economy for all.
Loss Of Trust will take time to recover . Peoples feel uncomfortable to socialize . Tourism also affected very much .How much it take long for countries with high infection rate will be cleared so their citizens can come visiting as tourists again? It will take some time. My guess is 2 years atleast.
List of user objects that will become useless or obsolete in the post-Covid19 world
1:Keys
2:Newspaper
3:Joggers
4:Restaurants
5:Uniform
6:Petroleum
7:Weapons
8:Sun glasses
9:Door lever
List of objects that will become more important in the post Covid19 world:
1: Toilet paper
2: Sanitizer
3: Glouves
4: Vantilators
5: Phone
Saturday, March 28, 2020
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Thesis report...INTERURBAN: WALL CLADDING DESIGNS.
National College of Arts Department of Ceramics Design Interurban: Wall Cladding Designs Presented By Hasheem Tahir Roll No: 20...
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National College of Arts Department of Ceramics Design Interurban: Wall Cladding Designs Presented By Hasheem Tahir Roll No: 20... -
Tip Toland Biography : Tip Toland is a ceramic artist & Teacher whose work is subtly autobiographical within a frozen moment,...
